Hierarchies persist, which is why factions, such as covens, coalesce in the first place. They emerge from a place of need. A need to counteract isolation, disparate power within disciplines, or the worlds anthropologists inhabit as part of fieldwork, and the worlds that meld and twist as part of the analytical process.
As anthropologist Kirin Narayan put to readers of her book Alive in the Writing, the creative process of ethnographic writing can grow from ‘the impulse to find company amid the often isolating and difficult aspects of writing’. In ethnographic writing, we need to somehow re-galvanise our fieldwork experiences that are now in the past.